Listening with intent

Listening

So, how do you take listening up a notch, improve your game, and do it professionally?

Many of the points above came from a workshop for actors on how to read and understand Shakespeare - the actor needs to interpret and understand what Shakespeare intended - the emotion, the body language, the speed of speech, etc. The actors are taught to look for sequences, at the adjectives, etc.

Shakespeare does not tell you what is funny, happy, sad, ironic, monumental, or sarcastic, you have to figure it out. This is the same with listening. It all comes down to the words and the patterns of words. Not all words are important. You want to hear and understand the words you should hear and understand.

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